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Showing posts with label Vaura. Show all posts
Showing posts with label Vaura. Show all posts

Saturday, April 27, 2019

Vaura "Sables"


Country: USA
Genre(s): Experimental Art Rock, Gothic, New Wave
Label: Profound Lore Records
Format: CD, digital, vinyl
Release date: April 26, 2019
Tracklist
1. Espionage (4:11)
2. Zwischen (5:42)
3. The Lightless Ones (5:16)
4. The Ruins (Hymne) (5:17)
5. No Guardians (5:10)
6. Eidolon (6:12)
7. Basilisk (The Infinite Corpse) (5:27)
8. Sables (5:45)

Total Time 43:00

Line-up
Josh Strawn (Azar Swan, Religious To Damn) - vocals, guitar, synthesizers
Kevin Hufnagel (Gorguts, Dysrhythmia) - guitar
Toby Driver (Kayo Dot, Maudlin Of The Well) - bass
Charlie Schmid - drums, electronics

Description/Reviews
...now on Sables, they took whatever metal influence their first two records had and threw it out the window.
Instead, Sables fees like it takes a blend of the dark side of '80s pop, with a lot of post-punk, new wave, and goth rock influence (think The Cure, New Order, and The Chameleons) and putting it through a more modern experimental prog rock lens. 
Read the full review at metalstorm.net

Media/Samples 
Bandcamp

Links:
Facebook
Progarchives

Tuesday, October 29, 2013

Vaura “The Missing”


Country: USA
Sub GenrePost Metal
LabelProfound Lore Records
Release date: October 29, 2013
Tracklist
1. The Missing
2. Incomplete Burning
3. The Fire
4. Mare Of The Snake
5. Pleasure Blind
6. Passage To Vice
7. The Things That We All Hide
8. Braced For Collapse
9. Abeyance
10. Putting Flesh To Bone

Line-up
Josh Strawn (Religious To Damn) - vocals, guitar
Kevin Hufnagel (Gorguts, Dysrhythmia) - guitar
Toby Driver (Kayo Dot, Maudlin Of The Well) - bass
Charlie Schmid - drums

Description/Reviews
Following last year’s “Selenelion” release, Vaura  take their unique style of combining progressive metal and classic ‘80s goth/darkwave into more defined and dense territory with “The Missing”.  With a sound and aesthetic influenced by the darker and more brooding moments of the aforementioned styles when they came to fruition in the ‘80s, Vaura also incorporate sounds also reminiscing the likes of post punk, early ‘90s indie rock, and shoegaze respectively along with some intricate moments found on “The Missing” that even hark back to the heyday of classic-era Queensryche and “Grace Under Pressure” era Rush.

Media/Samples 
Incomplete Burning

Links:
Facebook
ProgArchives