Genre(s): Progressive Rock
Format: digital
Release date: May 30, 2024
Tracklist
1. Eclesiástica
2. Lluvia en Atacama
3. Buscaminas
4. Agente Libre
5. Martes 14
6. Baúl de juguetes
7. Fritz Lang
8. Una Onza
9. Manijeo
10. Vasily II
Credits
Facundo Kuttel: Drums | Acoustic guitar in Buscaminas and Agente Libre
Adriel Radovitzky: Percussion | Guitar solo in Martes 14 | Sinthesizers in Baúl de juguetes | Recorder and kazoos in Manijeo
Sebastián M. Britos: Keyboards, pianos, sinthesizers and pads | Cavaquinho in Agente Libre
Federico Grassi: Bass
Mateo Quesada: Electric guitars | Classic guitar in Lluvia en Atacama and Baúl de juguetes
Guido Marengo: Castanets in Martes 14
With
Camila Borgetto: Voice in Eclesiástica
Andy Ryan: Hammond Organ in Lluvia en Atacama
Emilia Ayala: Cello in Lluvia en Atacama, Agente Libre and Martes 14
Federico “Willy” Willimburgh: Clarinet in Buscaminas
Pablo Sosa: Violins and violas in Agente Libre and Martes 14
Candela Terraza: Flute in Agente Libre
Miriam Indira Díaz Ibarra: Bandoneon in LLuvia en Atacama
Strings and wind arrangements: Sebastián M. Britos, Adriel Radovitzky y Facundo Kuttel
Voice arrengements: Camila Borgetto, Adriel Radovitzky, Sebastián M. Britos y Facundo Kuttel
Electronic arrangements in “Manijeo”: Adriel Radovitzy
Concept by El Poder de la Infancia
Produced by Sebastián M. Britos, Adriel Radovitzky and Facundo Kuttel
Recorded between 06/02/2021 and 9/11/2022
Recorded by Sebastián M. Britos (electric guitars, bass, keyboards, pianos, synthesizers, pads, recorder and kazoos)
Lucas Conforti in “Deep Wave Recording Studio” (drums, percussion, electric guitars and bass reamps, acoustic guitar, classic guitar, voices, cavaquinho, violin, viola, cello, flute and clarinet)
Mixed by Sebastián M. Britos
Mastered by Federico Grassi
Guitar Tech: Lucas Conforti
Cover design: Matías de los Santos @manijailustre
Description/Reviews:
El Poder de la Infancia's first album sums up the collective's musical exploration over the years, using the structures of progressive rock as a reference point to blend different textures of rock music with the language of jazz, influenced by cinema with the idea of creating visual landscapes for the listener.
Those who listen to the album will be able to understand its concept, where a child's imagination can create situations of happiness, love, hate, abstract, confusion and revolution.Media/Samples
Lluvia en Atacama
Una Onza
Links:
Web page
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