Country: Japan
Genre(s): Progressive Rock
Format: CD, digital
Release date: October 31, 2020
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Informational blog about recent or upcoming prog-related rock or metal albums with a schedule of their release. Disclaimer: it's still not possible to put the albums on their future release dates.
Polyfeen spread their wings in the psychedelic fuzz and space echo universe and is musically anchored in the progressive psychedelic rock genre. Greatly inspired by Pink Floyd and Deep Purple Polyfeen add a new modern touch to the genre adding synthesizer and intense dance drumbeats in the mix.The song writing on the album is centered around the frontman, lead singer and bass player Michael Stanley and the charismatic Hammond organist and virtuosi Per Hugo Rotbøll, constantly challenging the psychedelic genre, moving from ear hangers lead by the excellently played acoustic and electric guitars by guitarist Torsten Lefmann accompanied by Stanley’s intense lead vocals to an instrumental synthesizer high paced dance song with a psychedelic twist that will make any listener indulged to the tough beat by drummer Karsten “Mons” Mansa. The quartet even features the grand piano in a melodic song which especially with Stanley piano playing and lead vocal leads you in direction of the Lennon solo period from the early 70’s. The album features backwards guitars, coral sitar, heavy bass fuzz and a number of 70’s analogue synthesizers. You will be taken back to the early 70’s with a modern twist in a psychedelic universe with extensive guitar and Hammond organ solos. Throughout the album the lyrics are focused round the unrealized potential in all humans regardless of origin.
Rainbow Face proudly carry the banner of progressive rock while treading the waters of experimental rock and post-punk. As their name suggests, Rainbow Face constantly bombard you with musical colors as a galaxy of timbres, sounds, and styles swirl throughout each of the eight tracks on their debut album, Stars' Blood.
The centerpiece track, Waves, is a 12 minute, multi-movement suite that moves effortlessly between psychedelic ballad, dark and heavy Red era King Crimson riffage, to something out of an Elfman score. Elsewhere, on Purgatory and The Fighter Pilot, the band is more aggressive, showing the influence of angular math rock and post-punk. Pirates, the 6 minute album opener, with lush Mellotron and jangly guitar, harkens back to early Pink Floyd. Throughout the album's near fifty minute run time, Rainbow Face slip effortlessly through meters, modes, and genres while retaining a consistent tone as the lyrics hit on themes of isolation, paranoia, fear of technology, and mental illness.
Analog puritists Ring Van Möbius are known for being true to the original progressive rock philosophy, combining 60’s/70’s instruments with the old art of tape recording, adding their own touch of musical creative madness. The Norwegian trio delivers their second album “The 3rd Majesty” in mesmerising manner - a Hammond-driven progressive pearl which could just as easily have been released in 1971 as in 2020. This epic record includes lengthy opuses - incorporating instruments such as tubular bells, theremin, a string quartet, timpani and a massive modular synthesizer to name a few, in addition to the raw power of the Hammond organ, Fender Rhodes, drums and electric bass guitar - recorded in their Spectral Tape Studio and mastered at Lunds Lyd. The lyrical themes are of rather abstract nature, dealing with the great universal questions, as well as saddening relevant issues of today's society. This album stands as a tasteful, dynamic journey through the soundscapes of nostalgic joy!
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Where This Leads is a patient listen all the same, starting life with the forlorn ambience and pulsing kosmiche of “The Star Are Dying”. Engines dead, solar chimes sail toward the twin systems of existential dread and tranquilized bliss, zoning guitar tones stretched out in waveform, prickly feedback toasting the senses under total immersion. “Butchery” is impossibly pretty in its irradiated wake, fingers audible on the fret, a synth wash applied to a simple acoustic meander.Read the full review by Gannon at sicmagazine.net
With Witch Hazel Brew Pt.1 the album becomes more interesting since the guitars and the overall sound turn into a folky style that I wasn't expecting, and it even has some kind of tribal vocals lines. Witch Hazel Brew Pt.2 continues these lines as an almost instrumental song with superb guitar solos and repeating the tribal folky vocals at the end forming a very good combo.Read the full review by Ignacio Bernaola at dprp.net
Country: Italy
Genre(s): Prog Folk Rock/Metal
Label: Lizard Records - LIZARD CD 0164
Format: CD, digital
Release date: October 26, 2020
Tracklist
1. La gemella tradita (06:13)
2. La rana e lo scorpione (04:51)
3. il gatto con gli stivali (06:39)
4. il re bambino del paese di Quissadove (02:31)
5. La principessa rana (04:38)
6. la brace loro (06:17)
7. hambarabah ciicci cockoo (06:45)
8. il gatto del paese dei biancospini (04:46)
9. è Male (00:20)
10. Dentro il cerchio delle fate (03:59)
11. I passi nel solaio (5:49)
Total Time 52:48
Line-up
Bruno Rubino - drums, acoustic guitars
Giuseppe Brancato - vocals
Massimo Catena - guitar
Davide Santo - bass
Graziano Manuele - guitar
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I found Black Fate sounding like, or perhaps better said, entering the realm of a band like Kamelot. With the addition of a stronger keyboard presence, combined with the melodic and lightly technical arrangements, the songs of Ithaca have become more expansive, engaging, and so quite entertaining. All said, if you like melodic and sometimes symphonic, progressive power metal in the best tradition, you will enjoy Black Fate's Ithaca.Read the full review by Craig Hartranft at dangerdog.com
Some songs contain rock blast outs while others provide the calm of a foggy morning in the woods; all have their place in what eventually became a thematic dive into the depths of human emotion. Our take on it, anyway.
“Dwellers of the Deep” promises to serve up an exciting blend of both carefully planned and passionately jammed compositions encompassing everything WOBBLER has done up to now. These new musical directions will no doubt further enhance the quintet’s aural idiosyncrasies, and solidify the band’s burgeoning stature as one of the most exciting and interesting bands on the global music scene, independent of genre.
Side A contains two pieces at medium length showcasing the band´s mastery of dynamics and flow, with passages and themes veering from the scenic and serene to the downright rocking.Media/Samples
Side B opens with the welcome respite of four minutes serenity, cradling the listener in pastoral and mystic swathes of acoustic guitar, glockenspiel and gentle vocals before an album closing 19 minutes journey into the unknown with the band in full blast.
Although being a bit calmer than usual, Kadavar release an album that impresses. Right away, from the first notes of ‘The Lonely Child’, it becomes obvious that the roaring guitars gave some space to bigger soundscapes that partly even remind of bands like Pink Floyd. ‘The Lonely Child’ is a melancholic song, as all of the tracks on ‘The Isolation Tapes’, but it isn’t a sad song. Beautiful melodies in the second half of the track feel like musical brightness that slips though a confusing new reality.Read the full review at markusheavymusicblog.org
Opening track Before I Met You, begins with a Crim-esque angular guitar riff and may make you wonder are we stepping into an album that leans heavily on those influences but actually, that isn’t the case. The opener is blends his pop sensibility with great musicianship and edgy playing- the rhythm section here are particularly impressive, yet don’t detract from the lyric, which appear to suggest obsession of the singer with his muse/ inspiration.
The album combines elements of electronic, industrial, classical, film score, heavy metal, progressive rock, and even pop to create something unique, challenging, and engaging. Fans of forward-thinking artists such as Devil Doll, Mike Patton, Leprous, Ulver, Manes, Pain of Salvation, Sleepytime Gorilla Museum, Devin Townsend, Vulture Industries, and Arcturus should rejoice in the musical world illuminated throughout the album. Even though you can hear and feel a clear and honest influence from the extraordinary cult act Devil Doll (its by purpose, and done with the most significant respect), they still sound fresh and original with a certain and special integrity.Media/Samples
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Country: Sweden
Genre(s): Progressive Rock
Label: White Knight Records
Format: CD, digital
Release date: October 19, 2020
Tracklist:
1. Stars Aligned (7:29)
2. Feeding The Flame (4:56)
3. A New God (9:15)
4. Wonder's Rebirth (5:22)
5. Coma (13:49)
6. Elegy (4:46)
7. The Strong, Silent Type (8:25)
Total Time 54:02
Line-up:
Per Malmberg - vocals, guitars, keyboards
Johan Lindqvist - keyboards
Stefan Gavik - guitars
Daniel Nätt - bass
Erik Zetterlund - drums
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