Genre(s): Progressive Rock
Label: Luminol Records
Format: CD,vinyl,digital
Release date: May 16, 2025 (digital)
Tracklist
1. To Make Ends Meet (9:10)
2. Reverie (Including ''Cloud Nine") (5:11)
3. Riding In The Fog (8:17)
4. The Last 48 Hours (7:46)
5. The Mind Warp (26:18)
Total Time 56:42
Credits
Phil Selvini: guitar, vocals, mellotron, effects
Leonardo Spampinato: guitar
Davide Sebartoli: keyboards
Francesco Scordo: bass
Leonardo Puglisi: drums
Description/Reviews:
Composer, author, singer, guitarist, dreamer Phil Selvini defines his artistic production as classically '70s progressive rock, with melancholic solutions and extensive use of organs, synths and mellotron, complicated structures and long-lasting songs. Influenced by King Crimson, Genesis, Yes, Pink Floyd, Radiohead, with the Mind Warp Phil Selvini has achieved the goal of being able to lead a collective capable of reproducing and rearranging his songs. This reality is represented as an entity, a container of emotions, the fusion and opposition of ideas, order and disorder, the most stormy chaos and the most solemn quiet, the mind alien to the body.
Phil introduces the five tracks of T.E.T.R.U.S. as follows: "In To Make Ends Meet alienation and mass control, consumerism and empty conformism are the main themes. The rhythm is nervous, the atmosphere at times disturbing and dreamy at the same time, they evoke images of empty people in search of a leader, like sheep in need of a shepherd. Whoever dares to rebel against the rules is considered a madman by a conservative, greedy society populated by schizophrenic men. The introspective and melancholic Riding In The Fog recalls, from time to time, Pink Floyd with its ascending melodies and evocative passages here give shape to a sleepless and silent ghost that rides through the hills on a foggy night. The Last 48 Hours and the suite The Mind Warp are somehow connected, they tell the emotions that can be felt due to the loss of a loved one. Pain, mourning, delirium, threatening shadows and the inner feeling of cold that an empty house can transmit. But here the marble house can also be understood as a metaphor for the tomb, and the general atmosphere of these last two pieces is that of a touching and sincere elegy".Media/Samples
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