Country: Brazil
Genre(s): Symphonic
Format: CD, digital
Release date: December 31, 2020 (digital)
Tracklist
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Proggnosis
Informational blog about recent or upcoming prog-related rock or metal albums with a schedule of their release. Disclaimer: it's still not possible to put the albums on their future release dates.
... a project from Turin started in 2016 with the aim of composing a sci-fi rock opera blending progressive rock and metal... On the whole, this is a good album with an interesting concept, nice melodies, a good interaction between theatrical male and female vocals and some beautiful instrumental passages.Read the full review by Andrea Parentin at italianprogmap.blogspot.com
After Ángel Ontalva & Vespero CDs "Carta Marina" and "Sada", Ángel has created a new group called Seaorm with Ark and Ivan Fedotov, Vespero's bassist and drummer. This power trio follows the paths of their collaborations in Vespero with a more exploratory and electronic approach. The band has recorded an album called "Olkhon", inspired in the biggest island of the Baikal Lake, in the center of Siberia, famous for its shamanic traditions and its amazing beauty and powerful energy.Media/Samples
What Morrum plays on their sophomore record is a sort of modern, catchy jam-rock with some atmospheric and shoe-gaze influences. This sounds odd only on paper (or on your screens), but in the final mix, the result is impressive. ... The record is sort of split into two uneven parts. The first one is dominated by soft, dreamy funk-rock and the second is dropping into alt-punk-metal rawness.Read the full review by Sergey Nikulichev at dprp.net
Inside the Cable Temple incorporates progressive rock, Chinese traditional folk, and jazz to create a very warm and inviting musical journey. Most of what you hear on this record is incredibly mellow and ethereal folk rock with the occasional increase in musical intensity in the form of groovy prog rock or smooth jazz. Much of it is the musical equivalent of peacefully floating by on a cloud although there are little surprises here and there that change the pace and scenery.Read the full review at everythingisnoise.net
Multi-instrumentalist Chilean composer Raúl Peurt, AKA Raúl Felipe Pérez Urtubia, delivers his debut album “The Path“, bursting at the seams with energetic drumming (his primary instrument, I believe), high-quality jazz-fusion compositions, edgy guitars, moody keyboards, and punchy bass lines.Read the full review by Stephen Conrad at progressiverockfanatics.wordpress.com
Mar Assombrado is a Brazilian band from Recife, formed in 2014, led by André Sena, whose intention is to show an experimental sound, bringing together the elements of Progressive Rock and recitations of poems and poetry. The roots of the progressive rock of the band Mar Assombrado go beyond music: they are echoes of literary, historical, mythological references. The members of Mar Assombrado describe the project as a combination of music and poetry since most of the verses of the songs follow a recited line. (progsky.com)Media/Samples
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The presence and prominence of instruments such as bass clarinet, cello, clarinet, flute, oboe, trombone, trumpet, and violin might push some of the music on Lunarians towards "classical" music, but probably not far enough for it to no longer be rounded off to "prog."
Media/SamplesWe could define MINDANCE as the Hawkwind of Molise (with Pinkfloydian echoes…), tracing coordinates of prog-psychedelia and space-rock, a reference of depth, also important because it is not very popular in Italy. But there is also more in the band from Campobasso, a heterogeneous background and a path that is also originality and the stratification of different sounds in search of its own identity. “Cosmically nothing” is the best (and visionary) manifesto in summing up that path: point of arrival and departure at the same time, because the journey has been able to explore with open mind and focus its own expressive force. And now it seems a new, conscious beginning (Loris Furlan, Lizard records)
On this particular release the band play an extremely unusual style of prog metal, it’s very eclectic and in some ways is chaotic and all over the place. One second, you'll be listening to a choir type segment backed with crisp female vocals then there will be some death metal style vocals playing over jazz music and then all of a sudden, we get what almost sounds like carnival style music backed by flutes and electronic elements. This would definitely have to be one of the most unusual releases I've listened to in a while and it’s taken me a little while to wrap my head around it.Read the full review at cavedwellermusic.net
′′ End of Our Time?" opens the album, and here it is brilliant, heavy progrock with solid roots in the 70 s. This description probably applies to everything with the band, but the way they combine the classic with modern elements such as a 5-string bass with a wonderful disting twist is absolutely beautiful. In general, I have to pull out the bass to, which I think is more distinctive in the sound image here than on the debut. Beautiful tunes, progressive passages, fierce drumming from Maestro-there are just some of the characteristics of Permian Incident. ′′ Dandelion ′′ which opens Ur-Norwegian with mouth harp is the longest track of the album, an epic work that clocks right under the neighborhood. A lot of exciting things are happening here, and lots of great use of keyboards from The bass solo party in the middle is also absolutely wonderful. A good example that 15 minutes isn't very long when so much happens and it's so exciting all the way.Read the full review by Affen Eitrheim
Country: UK
Genre(s): Progressive Alternative Rock/Metal
Label: Kscope
Format: CD, digital, vinyl
Release date: December 11, 2020
Tracklist:
1. Wounded Wings (05:53)
2. Ruins (05:29)
3. Tyrant (04:56)
4. Stains of Betrayal (04:52)
5. Empty Vows (03:58)
6. Sweet The Tongue (04:30)
7. A Dark Kind of Angel (04:38)
8. The Gift (03:53)
Line-up:
Daniel Tompkins (TesseracT)
With
Plini - guitar (1)
Matthew K Heafy (Trivium) - guitar (8)
Paul Ortiz - guitar
Description/Reviews:
“Ruins” is a heavy version of 2019’s “Castles”, to put it simply. Instead of the progressive pop and trip hop vibes of the original, this album features heavy guitars, harsh vox, winding solos, and a generally raw tone. In other words, it is more like Daniel’s work with his other bands. ... Another thing to note is that, even though the lyrics are all the same, the music has been rewritten, many of the vocal melodies are significantly changed, and the songs themselves have been renamed.
Read the full review by Jason Spencer at theprogmind.com
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The Gift
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The music on “Identity Crisis” mixes up the best influences from classic prog rock, with unexpected contemporary harmonic solutions and melodic turns. The songs can break loose by surprise in furious jazz fusion improvisations. As impressive as the casting in the album can be, and it is, the incredible alchemy that happened between Marcelo Paganini and Rachel Flowers in 4 out of 6 songs, at the 11th hour, was a game changer in the intensity of that musical language.