Country: Norway
Genre(s): Instrumental Progressive Rock, Classical
Label:
Apollon Records Prog
Format: CD, digital, vinyl
Release date: May 30, 2025 (CD, digital), July 4, 2025 (vinyl)
Tracklist
1. Leave Nobody Behind (9:20)
2. Autumn (1:03)
3. Offering To Lares (7:40)
4. Evening (0:49)
5. Lament (1:34)
6. Dimensions Of Hope (6:28)
7. The Dark Hours Of My Being (1:00)
8. Solitude (1:32)
9. Leave Nobody Behind 2 (4:33)
10. Symbols (0:52)
11. Remembrance (1:12)
12. Dimensions Of Hope (4:49)
13. Autumnal Day (2:20)
Total Time 43:12
Credits
Eivind Lorentzen (Gentle Knife)
With
Atle Pakusch Gundersen (Wintherstormer, The Cut)
Trond Gjellum (Panzerpappa)
Jácome Guerrero Kiko (Superkabras)
Paulin Skoglund-Voss - cello
Markus Reuter (Stick Men)
Davide Rossi - violin
Charlotte Valstad Nilsen (Gentle Knife)
Brian Talgo - mellotron, recitations
The album was mostly recorded in Lydkjøkkenet by Øystein Vesaas and in Double Decker Studios by Arild Brøter
Mastering by Jacob Holm-Lupo
Cover design by Siv Gade Lien
Additional artwork by Susanne Hæstad.
The album is produced and mixed by Eivind Lorentzen and Øystein Vesaas.
Music composed by Lorentzen except Dimensions of Hope I-II composed by Lorentzen, Antonio de Honestis and John Sinks.
Description/Reviews:
A roster of great contributors come together in this project helmed by Norwegian musician and composer Eivind Lorentzen (ex-Gentle Knife, Oldenborre, K, Synsbedragerne etc). Together they create an album of evocative minimalist prog characterized by great performances interspersed with readings of Rilke. Firmly rooted in the prog, modern classical and nordic jazz realms, and nodding to Vasks, Reich, Fripp, Frahm, Bartsch and others.
Repeating motives in asymmetric meters are contrasted and echoed with live strings, drums and acoustic and electric guitars. A listener phrased it as “humanistic minimalism”. At first glance apparently nothing much goes on… but then it does… Hope remains a central dimension in the record, expressed in the album title Leave Nobody Behind and the eponymous pieces as well as in the pieces Dimensions of Hope I-II, and notwithstanding The Dark Hours of my Being (a Rilke poem recited on the record).
Media/Samples
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